This collection includes theses and dissertations from the Music History Concentration in the School of Music. It is not exhaustive since most paper theses and dissertations have not been digitized. Generally, paper copies of theses and dissertations published prior to 2014 can be accessed in the University of Louisville Libraries. If you would like to add your thesis or dissertation to this collection, please fill out the Electronic Theses & Dissertations form.

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Theses/Dissertations from 2019

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Liminal aesthetics : perspectives on harmony and timbre in the music of Olivier Messiaen, Tristan Murail, and Kaija Saariaho., Jackson Harmeyer

Theses/Dissertations from 2017

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The sounds behind language : three musical settings of Beckett's not I by Heinz Holliger, Paul Rhys, and Agata Zubel., Trevor Roy DeJarnett

Theses/Dissertations from 2011

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Lieb-, Lied- und Weines Trunkenheit : interrelationships in Hugo Wolf's "Schenkenbuch" Lieder., Theresa Luebbers Cole

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Gyorgy Kurtag's Kafka Fragments, OP. 24 : fragment as form., Kaitlin Cavanaugh Doyle

Theses/Dissertations from 2010

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Transforming the past : Luciano Berio's appropriation of folk materials and idioms in "Folk Songs" (1964)., Jamison Tyler Fritts

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Shostakovich, Yevtushenko, and criticism in the Thirteenth Symphony., John Peter Hausmann

Theses/Dissertations from 2004

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Geometric pitch structure and form in "Deserts" by Edgard Varese., Michael David Sprowles

Theses/Dissertations from 2003

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The bilingual motets of the old corpus of the Montpellier Codex., Kimberly Adelle Harris

Theses/Dissertations from 1978

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Jean Thomas' American Folk Song Festival : British balladry in Eastern Kentucky., Marshall A. Portnoy