Date on Master's Thesis/Doctoral Dissertation

5-2025

Document Type

Master's Thesis

Degree Name

M.M.

Department

Music History

Degree Program

Music with a concentration in Music History and Literature, MM

Committee Chair

Burke, Devin

Committee Member

Präger, Ulrike

Committee Member

Ogden, Allison

Author's Keywords

Russian-Ukrainian war; war music; musical propaganda; Ukraine; Russia; war

Abstract

This thesis explores the role of music as a tool of influence and propaganda during the Russian-Ukrainian war, examining its progression both in Ukraine and Russia from the beginning of the conflict to the present. The study traces how music has been employed by both nations to influence and shape public perception, reinforce national identity, and advance political agendas. In Ukraine, music has become a medium for resistance and solidarity. Ukrainian artists bring back the traditions of the Kobzari, the wandering minstrels of Ukrainian folklore, who used song to communicate stories of resistance, national pride and important historical events. Today, Ukrainian singers continue this legacy by using new social media platforms to raise awareness about the conflict and generate international support, particularly in the West. In Russia, the music world lives in a dichotomy. One half has been co-opted by the state to propagate the government's narrative, suppress dissent, and foster a sense of unity under a nationalistic agenda. The second half, which advocates for peace, is represented by anti-government artists. This thesis highlights the significance of vocal and popular music in both countries but also situates these musical movements within the broader socio-political context.

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