Date on Master's Thesis/Doctoral Dissertation
12-2017
Document Type
Doctoral Dissertation
Degree Name
Ph. D.
Department
Humanities
Degree Program
Humanities, PhD
Committee Chair
Pranke, Patrick
Committee Co-Chair (if applicable)
Polzer, Natalie
Committee Member
Polzer, Natalie
Committee Member
Sohn, Steve
Committee Member
Hagan, Mike
Committee Member
Lai, Delin
Author's Keywords
Japan; otaku; shinto; kanda shrine; washinomiya shrine; Japanese culture
Abstract
The focus of this dissertation centers on the otaku subculture and their subsequent incorporation of Japanese religious elements into their consumption of Japanese popular culture. This phenomenon highlights the intersections of popular culture and religion in Japan, which is emerging in religious sites. Shintō shrines and Buddhist temples are incorporating popular culture as a means to maintain relevancy, encourage growth of parishioners, and raising revenue by capitalizing on the popularity of manga and anime. The relevance of this research connects to the continued impact of Japanese popular culture through globalization. The first chapter provides a theoretical background examining this socio-religious phenomenon, and sociological framework, which considers the capitalist economy and relationship to religion. Chapter Two defines Shintō and kami, explains deification, outlines an historical overview for religion in Japan, providing historical antecedents for the otaku’s relationship to religion, and highlighting historical and cultural influences. Chapter Three analyzes the historical and cultural contexts that form the otaku identity, traces the etymology of the word “otaku,” and positions the otaku within mainstream society. This analysis of otaku identity and mindset provides insight into the otaku’s consumptive behaviors associated with popular culture. Chapter Four analyzes otaku consumptive practices and behaviors, and the impact on several Shintō shrines and Buddhist temples. Chapter Four concludes with the emergence of “pop culture kami” that accentuate the otaku’s incorporation of Shintō elements into their consumption of popular culture. This convergence of otaku, religion, and popular culture points to emerging shifts within contemporary Japan.
Recommended Citation
Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850.
https://doi.org/10.18297/etd/2850
Included in
Comparative Methodologies and Theories Commons, Japanese Studies Commons, Other Religion Commons