Date on Master's Thesis/Doctoral Dissertation

5-2024

Document Type

Master's Thesis

Degree Name

M.M.

Department

Music Theory

Committee Chair

Jemian, Rebecca

Committee Co-Chair (if applicable)

Brody, Christopher

Committee Member

Brody, Christopher

Committee Member

Carithers, Kirsten

Author's Keywords

Japan; Japanese music; Ongaku; contemporary classical; cyber bird; pleiades dances

Abstract

The music of Takashi Yoshimatsu is united by a strong continuity of style that acts as a kind of musical signature. This thesis offers an introduction to understanding this musical style by exploring the relationship between Japan and Western classical music, presenting analyses of four contrasting compositions, and offering potential areas for further research. Some of the recurring characteristics of Yoshimatsu’s style include the use of extended harmony, modes, large melodic intervals, and the reuse of musical material. These characteristics are explored at length in the analyses of Pleiades Dances IX, And Birds are Still…, Memo Flora, and Cyber Bird.

Included in

Music Theory Commons

Share

COinS