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The Cardinal Edge

Abstract

Madeline Miller’s Circe, Miller considers varying perspectives on a well-known character—one who has been vilified as a monster, recast as a feminist icon, and rewritten into a variety of spaces in between. As part of this continuous narrative, Miller draws on the inherently hybrid space of Circe’s character to construct her as a product of her multi-faceted lineage. A character with so many identities makes for a complicated subject, but Miller utilizes this plurality to her advantage, deliberately casting Circe as a product of multiple backgrounds—occupying both the space of oppressor and oppressed—to both compound her status as a liminal being and to further demonstrate her trauma response to oppression. This paper will adopt a multidisciplinary perspective to a literary text, implementing the role of women’s silence in mythology, liminal spaces, and the process of overcoming generational trauma to consider the implications of Miller’s character.

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